In Cortez’s poem, “How Long Has Trane Been Gone,” blues and
jazz are referred to as the forgotten black music. With April being Jazz
Appreciation Month and my recent visit to New Orleans, it seems appropriate to
reflect on the history and art of jazz.
Standing as one of the oldest neighborhoods of free black
people, Treme is considered the birthplace of African inspired music. It was
one of the first racially mixed areas of New Orleans where African, Creole, and
Native American cultures combined to form the city’s unique identity. Brass
band music started as a way for slaves to spend time together and celebrate
African music traditions. In the late 1800’s jazz was formed within the
working-class neighborhoods of New Orleans. It combined African tribal sounds
with European melodies, ragtime, church songs and military marches. The use of
call-and-response stands today as one of the fundamental African influences of
jazz and R&B.
Listen to this http://www.youtube.com/watch?v=sq19BZRKmLI
And then this http://www.youtube.com/watch?v=riEszB2m5GA
Ladysmith Black, a South African tribal band, sings
traditional call-and-response music, the type that influences jazz. Buddy
Bolden, one of the most well-known black ragtime musicians, was a great part of
the formation of jazz in New Orleans. His music demonstrates call-and-response
as well as improvisation. The combination of marching and tribal music also
helped to form parading in black New Orleans culture. At funerals and
celebrations, second line parade brass bands represent the music traditions of
the city. Jazz funerals are something that we briefly discussed in class, but are
an amazing phenomenon in the South. If anyone watched the HBO series Treme,
then you have seen Jazz funerals, if not, it is worth taking a look- http://www.youtube.com/watch?v=9SzWx79Z9BQ
Cortez’s poem reflects on the remembrance of black music.
She argues that music has had a profound affect on black culture- that it’s
“trying to make a better tomorrow”- but is only remembered now to “dance, fuck
and cry.” She fears that the African American tradition and soul put into jazz
and blues is missing from music and listeners today. She asks, “What do you
care about history- Black History and John Coltrane.” While reflecting on Jazz
Appreciation Month it is important to appreciate the history preserved in
music, looking at jazz alone there is a rich story behind its creation. Using
Coltrane, a black saxophonist, as a symbol for the struggle and strength behind
black music, Cortez asserts that the true meaning of this music has been
forgotten.
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